CHARLIE CHAPLIN'S "THE CIRCUS" (1928) NO FURTHER A MYSTERY

They will often be craving romantics, using this type of distinction: Buster appears to be a plausible mate, along with the Tramp barely seems to possess a libido, only idealized notions. If their comedies were manufactured in a more liberated time, it is possible to imagine Keaton in bed with a lady, but disquieting to think about the Tramp like a